Interfaces brings together new paintings and multimedia assemblages that sit at the intersection of classical technique and contemporary life. The title of the exhibition references a new body of work consisting of tightly composed 22" × 22" oil paintings on panel in which human faces are literally …
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The tension between a digitally networked, screen-based experience of the world and a physical, more tactile experience has never been more acute. By combining painting on canvases with screens, stereos and salvaged electronics and materials, my works reflect the disorientation of the moment.
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Joe Hedges’s solo exhibition, “Sound Waves Set Off A Starry Accompaniment,” (声波挑动星辰协奏 ) is now on view at Enclave Contemporary through September 3. Joe Hedges’ image
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A collection of works that mesh technological devices and terrestrial depictions. Works in the exhibition cut windows for smart devices to repose in the middle of paintings of natural landscapes, including waterfalls, ocean water and vast desert fields.
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Joe Hedges is an inter-media artist with a dynamic practice that weaves together oil painting, new media installation and music. His projects often explore the effects of digital technologies on human experience.
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Oil paintings alongside recent media products that consume the world today, representing how the world and technology have molded together over time.
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Hedges' "Hypercombines" are part oil painting on canvas and part new media sculpture, seeking to contribute to a contemporary dialogue about the role of art, the influence of the internet, and the boundary between digital and physical realms.
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The "Hypercombines" are oil paintings of beautiful landscapes incorporating flat screen televisions, smart phones, or other objects connected to the internet — part painting, part new media sculpture. T
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Works utilizing found objects in nonsensical situations. By combining disparate technological and natural elements, Hedges strips symbols of their expected functions while calling attention to their aesthetic and material dimensions.
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Hedges' "hypercombines" lean into the dichotomy between traditional and new media by juxtaposing oil paintings on wood and canvas with technological components. His art is largely about the tension between the natural world and media technologies.
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Paintings, sculptures, video and a website featuring stacks of metal storage and file boxes scattered in floating configurations that defy physics. The works explore changing notions of archive space and memory in a digitally mediated world.
Maggie Evans was in the adjacent gallery
View ExhibitionAll works in the show explored the coming obsolescence of physical media, the role of physical artifacts in the age of information, and the limits of image-making as a path to knowledge.